Who’s your favorite Spider-Man? This loaded question often says as much about the age of the person answering it as it does the actual performance they’re praising. Millennials of a certain age, as well as younger Gen-Xers, might swear on their lives it never got better than when Tobey Maguire locked lips with Kirsten Dunst upside down in the rain. Yet if you grew up (or are growing up) in the age of the Marvel Cinematic Universe, is there really any other answer except Tom Holland? It’s obviously a skewed and entirely subjective debate. Nevertheless, we here at Den of Geek have decided to try and answer for good and all who is the best Peter Parker to ever spin a web, and who’s run might’ve just been a tangled mess. We have polled our editorial staff, as well as even you, dear readers, in order to come up with a clear and definitive ranking. With that said, polls closed before Spider-Man: No Way Home came out. Since then we’ve all been given reason to remember the virtues of each of the three live-action cinematic Spideys…
3. Andrew Garfield
While watching Spider-Man: No Way Home, we couldn’t help but muse what might’ve been. Consistently charming and funny throughout the third act of the MCU sequel, Andrew Garfield was able to portray the passion for Peter Parker he always spoke so eloquently of in the press. Frankly, he stole the movie from the other two and hinted that he could’ve been the best Spider-Man with a different set of circumstances. Throughout both Garfield movies, the new Peter is asked to be a rebel yet alo the comic book nerd; a melancholic loner and Your Friendly Neighborhood Spider-Man. The tonal dissonance between those elements left him as the least effective version of the character. Nonetheless, in moments where his own enjoyment could just crackle through—often when sharing tender scenes with co-star Emma Stone—you could see what Garfield was going for. But hey, at least No Way Home allowed Maguire to tell him, “You’re amazing,” and for the first time everyone believed it.
2. Tobey Maguire
There is a scene midway through Spider-Man 2 where Tobey Maguire’s Peter volunteers to Aunt May (Rosemary Harris) what really happened on the night Uncle Ben died. For years, he’d hidden the truth that he let the man who’d go on to murder Ben go. But now on this fateful day, he realizes his aunt also has endured years of guilt over Ben’s absence. So standing by his uncle’s grave, Peter makes a hard choice. The right choice. He’ll alleviate May’s burden by exposing his own, as well as exposing himself to her judgment. And as Maguire recounts the events of the first film, his doleful blue eyes never blink, even as they weep. It’s one of the smaller moments in the whole Sam Raimi-directed Spider-Man trilogy, yet it’s also one of the director’s favorites. That’s because it’s indicative of everything Maguire brought to the role. More of an introspective character actor than a traditional leading man, Maguire might have lacked Parker’s motormouth snark, but he innately conveyed the character’s often tortured sense of duty, and innate determination to always, in the end, do what is right. Even if it leaves him all the lonelier. It’s not quite the comic book Spider-Man, but it gets to the essence of the character’s core noble appeal, and the sometimes melodramatic longings of youth. While later Spideys would have more naturalistic scripts, and youthful countenances, they seemed to abandon the earnest wonder and despair of being a young kid torn in opposite directions due to the agony of growing up. Maguire got that implicitly, which is what made the moments where his character truly soared, with either a swing over a train or a kiss in the rain, seem like hard won victories. In the same vein, Holland’s Peter is written as a young, naïve, awkward teen, and the combination of the writing, Holland’s physicality, and his genuine acting talent bring him closer in appearance and energy than anyone else to the character first envisioned by Stan Lee and Steve Ditko.
